In my research, I imagine bodies without a defined shape, but in a continuous state of metamorphosis, to explore the different physiognomies a body can take on when it is constantly changing and modifying itself. Like cellular units that are continually being broken down and recomposed give shape to different physiognomies, in a constant vibration. This vibration and flow is what I seek, in drawing, in printing, in the stories I create and in the projects I have collaborated on. The images I produce are the result of the experimental processes through which I experience the sign.
I foreground the theme of transformation, which I consider a key and crucial issue today. Our time and the body through which we experience it are a laboratory and a place for experimentation.
Through the free association of forms and the creation of stories in my drawing I work, in constant mutation, for the deconstruction of cultural dynamics in crisis today.
Through the visual datum of the free sign I present this kind of vibrations that, in a month, a year, will be completely different from today.
I foreground the theme of transformation, which I consider a key and crucial issue today. Our time and the body through which we experience it are a laboratory and a place for experimentation.
Through the free association of forms and the creation of stories in my drawing I work, in constant mutation, for the deconstruction of cultural dynamics in crisis today.
Through the visual datum of the free sign I present this kind of vibrations that, in a month, a year, will be completely different from today.
This is also reflected in the pseudonym I use: Inmotulus, reworked from the Latin In motu: movement.
